The Greatest Debate Still Rages on...

So much in the news these days. So much to think about and have opinions on. I think as a society we must settle old debates before venturing into new ones. We must tie up these loose ends before biting off new and more difficult debates.


First on the docket is one debate which remains open and has never been resolved, this debate in question, of course, is the Joel vs. Mike debate. It is a question as old as time itself. Weighing all of the options, the correct conclusion to this question is:

Joel

Case dismissed. Moving right along, the next item on humanity's docket of unresolved dilemmas is what many refer to as "The Greatest Debate" and I must say I agree with the designation of this query being regarded as such. The Greatest Debate which has raged on for many years is... 

...what was the Greatest Ernest film ever made?

Now unlike the Joel vs. Mike debate which is easily decided with little thought or after-thought, the case of what was the Greatest Ernest film in the history of Ernest is a whole different can of worms, Vern.

Who Was Ernest?

Before we get knee-deep into this burning question on all of our minds, let's look into the phenomenon that was Ernest for those of you who may have either been living under a rock or not born yet in the era in which Ernest was Ernesting.

Ernest was a veritable amalgamation of heavily versatile yet good-hearted stupidity portrayed by the iconoclastic actor Jim Varney.

Jim Varney was an accomplished actor of the theater (seriously), and his first big television appearance was on Fernwood 2 Night hosted by Martin Mull (side-windered by Fred Willard),

Above, he's doing some variation of a "redneck" character. I know these sort of "redneck" characters are popular now a days with the likes of Jeff Foxworthy and that Fat Boy the Cable Fat Idiot...but there's a huge difference between the likes of Jim Varney and those talentless hacks. The key being that Varney's character(s) are funny whilst todays so-called "Blue Collar Comedians" lead by Jeff Hacksworthy are not. 

Varney first developed the character we know as Ernest for commercials for various southern United States companies (ads for milk, tape, meller yellers, etc., etc.).

At some point someone realized that his character was testing very well with children viewers and the Ernest phenomenon grew wings and took shape. Much in the vein of old time 1950s acts that kids loved such as Johnny Jelly Bean or Soupy Sales, the program Hey Vern! It's Ernest was one of the big three whacky kids shows which came about in the late 1980s era (the other two being Pee Wee Herman's and briefly Al Yankovic's Saturday morning programs).

The Ernestial Explosion was in full gear. Soon, Ernest had his own special, vhs tapes, tv show, and finally MOVIES! That Ernest made a slew of exciting and efficacious Ernest films. For example (but not limited to):

Ernest Goes to Vegas
Ernest Learns Karate
Ernest in Africa
Ernest at the Theme Park
Ernest Saves Christmas
Ernest gets Motivated
Hey Vern! Ernest just Joined the Navy!
Ernest Scared Stupid
Ernest Goes to Jail
Ernest at the Improv
Ernest in Funny Munny
Hey Vern, Win $10,000...Or Just Count On Having Fun!
Ernest Goes to Camp
Ernest Rides Again
Ernest Goes to School
Slam Dunk Ernest
Ernest in the Army
Hey Vern! How 'bout that Ernest!?
Quitting Smoking with Ernest
Ernest Goes to the Park


Yet Only One Ernest Movie May Reign Supreme

Look, I understand that a lot of people "don't get" Ernest...but those people are dumb. I'll go as far (and on record) as saying that anyone who doesn't like Ernest is a Bad Person.

Ok so, for us regular normal Good Persons, I would like now to present to whoever wishes to know of it, my opinion on this long raging debate. Which was the best Ernest film?

I will only focus on five Ernest films (in the interest of time) and those Ernest films are in no particular order:

Ernest Saves Christmas
Ernest Goes to Camp
Ernest Goes to Jail
Ernest Scared Stupid

and last but least (well maybe),

Ernest Rides Again


1. Ernest Saves Christmas

Synopsis: Ernest is working as a cab driver to make ends meet this Holiday Season and picks up a man claiming to be Santa Claus in his cab. The purported Santa must find a successor to carry on the Santa torch before nightfall or Christmas will be ruined. Will Santa find a successor in time?

My Opinion: This film is not very Ernest heavy. The story focuses on other characters (Santa, the successor, and the runaway tween girl) more so than it does on Ernest. Ernest is almost a supporting actor in this film and it's a gross miscarriage of intelligence when that is the case. Making an Ernest movie which is light on the Ernest is not the right way to go.

Would you make a Yogi Bear episode without much Yogi in it? Would you make an A-Team movie without Mr. T in it (come on, why did they do that?)? Would you make an Evil Dead movie without Bruce Campbell in it (seriously why did they do this?)? It's like making a peanut butter sandwich but forgetting to put on the peanut butter is what it is and it's fairly unfathomable to operate like that, I must say.

2. Ernest Goes to Camp:

Synopsis: Ernest finally fulfills his life-long dream of becoming a camp counselor after working as a maintenance man at the camp for years. Sadly, he was only promoted because the other counselors didn't want to deal with a troublesome group of youths sent from the juvenile hall for rehabilitation. Ernest gets stuck with these inner city toughs yet he and the youths really develop an understanding and respect each other.

A villainous natural resource developer played by the always impeccable John Vernon attempts to force the venerable Chief Saint Cloud (portrayed by Iron Eyes Cody) to give him his land.

Faced with the under-handed tactics of the treacherous Krader Company...Chief Saint Cloud is left with no choice but to train Ernest and his gang of inner-city youths and instill unto them the ways of the Warrior. Can Ernest and his rag-tag troupe of diamond-in-the-rough youths act as the front-line defense against Krader, repel the intruders, and save Kamp Kikakee? Or will all be lost?

My Opinion: This movie came out around the time where I would go to Camp Jackson Dodds every summer and have zany adventures and a ton of laughs of my own. The whole camp atmosphere of the film was something I could really relate to as a youth.

The themes touched on within this film, such as Native American issues with the establishment and the difficulty under-privileged kids face in comparison to privileged kids, were a little deeper than the themes in standard Ernest films. It's a pretty deep movie, it has loads of character. Man, this movie is Punk Rock, it really is.

3. Ernest Goes to Jail:

Synopsis: Ernest is an up and coming janitor in a bank who's dream is to one day become a bank teller. He has eyes for his co-worker, the beautiful and charming Charlotte Sparrow and truth be told she has eyes for him as well.

Misfortune befalls our loveable hero when he gets called for jury duty for the trial of one Felix Nash, a dead ringer for Ernest, one might even say his doppelganger. In a flurry of confusion on a visit to the prison Nash pulls the old switcheroo on our best bud Ernest and assumes his place...while Ernest goes to jail.

What will Nash do while living as Ernest on the outside? How will Ernest cope with the harsh realities of prison life?

My Opinion: This movie is shakespearean in nature. People will tell you that the rawness of a play like Othello, with all the emotions flying everywhere, as the lead character feels fear, betrayal, jealousy and anger, amounts to an emotional roller coaster for the audience...yet Othello is not a very good play in comparison to Ernest Goes to Jail.

The emotions in this film are very raw. Rawer than Othello. Take for example when the evil Felix Nash lures Ernest's girlfriend to his nest of deceit and tries to convince her to commit the heinous act of adultery under the most unrighteous of pretenses. Jim Varney's portrayal of both the hero and villain displays his versatility as an theater actor. Many might scorn my comparison of Ernest Goes to Jail to Shakespeare but I honestly believe this to be true in all seriousness. Jim Varney is an unstoppable force of acting in this film.

4. Ernest Scared Stupid

Synopsis: Years in the past, an evil troll roamed around Briarville, Mississippi turning young children into wooden dolls and absorbing their energy. Ernest's ancient ancestor, the great Phineas Worrell, devised a method to seal the evil troll into a big ole oak tree.

Fast forward to the present and poor bumbling Ernest P. Worrell unwittingly releases the seal of the oak tree and unleashes the troll once again. The dastardly troll recommences turning defenseless children into wooden dolls and after he absorbs the spirits of 5 children the troll can unleash his army of lesser demon trolls to begin a reign of terror. The only thing that stands in his way...is Ernest and a wise Haitian woman.

My Opinion: A standard spooky monster movie, but the threat to the kids is made to feel real to the viewer. The troll is very successful at turning innocent children into lifeless wood carvings of their former selves. It's a movie that despite Ernest's antics would genuinely scare a very young child and give them some cool-ass fever-dream nightmares too. Ernest does a lot of heroic mano-y-mano fighting in this film and pulls off a sort of Buffoon Bad Ass character...once again displaying his immense range with the Ernest acting style.

5. Ernest Rides Again

Synopsis: The crown jewels of the Royal Family of England get stolen and transported in a cannon and Ernest and some geek have to do something about it.

My Opinion: I had this thing on VHS ..and I must have watched this movie like 100 times...and it sucks. I don't know why I watched it so much but I guess there was never anything else on.

The geeky doctor was played by a guy named Ron James, who's a popular Canadian comedian now. He speaks normally in this film though which is odd because in his present day act he talks like how a retarded Canadian guy would talk.

This movie is proof that the voice Ron James uses in his act is not his own voice and he's trying to "hose-it-up" so to speak to appeal to Canadian audiences. I think Ron James is going Full Hoser though and it's kind of an over-done act. I understand that Canadians have to hose-it-up to sell (even the brilliant Canadian director Christian Kole made a hoser movie once) but Ron James shouldn't go Full Hoser, and if he wants to he should put on a tuque, drink some stubbies, and send Bob and Doug a royalty cheque.

All in all, Ernest Rides Again isn't an Elite Ernest picture.

The Greatest Ernest Movie of All Time is...

Ernest Goes to Camp.

La crème de la crème of Ernest is the one where he goes to camp. There's no doubt about it.

Gee I'm glad it's rainin'
There's always something to be thankful for.
I'm awfully glad it's raining
Cause no one sees your tear drops when it pours.

And no one knows the thunder
Is your heartbreak in disguise,
They think the rainy nights
What put that sad look in your eyes.

Sure am glad it's rainin'.
The gentle rythmn soothes the pain inside.
I'm glad the stars aren't shining.
A wounded warrior needs a place to hide.

I thought I had found someone
I could count on til the end.
What they wanted was a hero,
All I needed was a friend

Gee I'm glad it's rainin'.
I hope the morning sun won't come up soon.
As long as it keeps raining,
No one knows my heart broke right in two.

I thought I had found someone
I could count on til the end.
What they wanted was a hero,
All I needed was a friend

Sure am glad it's rainin'.
I'm awfully glad it's rainin'

Passing the Torch

For those of you living blissfully unaware lives, Ernest died in 2000 of cancer. Yeah, on February 12th of the year 2000...the earth stood still for a moment as Ernest had to say goodbye to us.

People may not have realized it yet, but Ernest's passing has left a hole. The universe is incomplete without Ernest. We need Ernest.

I'm calling out to everyone in Hollywood to listen up. I'm calling out to every artist, stand up, and preformer to put down what they are doing and listen.

Someone out there has to become Ernest. Someone has to step up and accept the torch. Someone has to put on the grey t-shirt, dawn the jean-vest, and adorn themselves with the grey cap. It's not a joke anymore...Universe needs Ernest.

Now I'm not talking like when Hollywood re-booted The Three Stooges with three horrible lame-wads. That 2012 Three Stooges Movie is a punishable crime, it's almost blasphemous in terms of its mockery of comedy. Taking something as good as the Three Stooges and turning it into shit is the absolute worst thing that could to be done to bring Ernest back.

No, I'm not talking about a money-making horrible reboot. I'm talking about someone becoming Ernest. I'm talking about someone accepting the responsibility of being The Ernest. Putting the three holy vestments of The Ernest on some unfunny bozo and releasing a movie with the Ernest name is not the plan.

The Plan is to do it right. The plan is for the New Ernest to dawn the vestments and be proud of them...to put on the Ernest uniform and WANT to make COMEDY proud. I'm talkin' to you.

You, YEAH YOU! Step up! Put it on! Become ERNEST...

 

The Science behind Why Bad Movies are Good

Bad movies have a niche following, sometimes those followings are so large that a bad movie will make more money, be remembered longer, and have its lines used more often than good movies. I was wondering if there was some sort of tangible or even scientific reason as to why someone would enjoy watching horrible movies. The following are the three scientific factors which I believe are at play.

1. Pretentious Factor

Pretentious is defined by the internet as "attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed."

I think a lot of people are turned off by "good" movies because the industry takes itself a little too serious. Hollywood actors are basically the American equivalent of the British Royal Family, these actors are worshipped and given millions of dollars for simply looking well. It's hard for some to sit and watch Tom Cruise or one of those types and not feel angry or offended by his face or voice because we know how rich and terrible this person is behind the scenes of the film.

Phantom Menace (Q-P=E):  70 - 70 = 0

Directors can also display a level of pretentiousness that can make an audience not want anything to do with their movies.

A good example of what I am trying to say is that band Metallica. They make good music but if you ever go behind the scenes and know that these guys sued every small company who had Metallica in their name (even those well before the band existed) and bullied them with expensive lawyers just for a chance to make a few extra bucks, you might not like their music as much anymore. When you find out they sued Napster when it first came out even though they have millions of dollars in their pockets, again, you might be a little turned off by them and in turn turned off to their music.

Dolemite (Q - P = E):  70 - 0 = 70

The level of pretentiousness displayed by the actors and directors of the film have a negative impact on the final product. If the movie is good (say an 85/100 on the quality scale) but the level of pretentiousness displayed by the artists behind it is extreme (say 90/100 on the P scale) the enjoyableness of this film becomes -5.

Algorithm:  (Quality of Film) - (Level of Artists Pretentiousness) = Enjoyability Level

Take an awful film which the quality is about 30/100 yet say the pretentiousness of the actors and director involved is only 15/100, (30 - 15 = 15), the Enjoyabiliy Level of this film is 15. The lower quality movie may have a higher Enjoyability Level than a high quality film.

I think that's a big reason why many people prefer bad movies to good ones.

The Room (Q - P = E):  0 - 100 = -100

-EXCEPTION-

An exception to this is a film called The Room starring Tommy Wiseau. The Room is a terrible film made by a pretentious dude who wrote a story about how this great guy (played by himself) has an evil girlfriend who cheats on him but cries for him at the end when he kills himself. He threw in a few extended love scenes where he gets to feel up the lead actress and some filler and then released it.



On the EL algorithm (Q - P = E), The Room is (0 - 100 = -100). Statiscally, it is the least enjoyable film ever created which is a historical distinction in itself. The Room also suffers from disjointed sequencing and delivery as an added bonus.


2. Disjointed Sequencing and Delivery

Our brains have been wired up to sequence audio and language in a rhythmic and predictable fashion. Repetitive beats and sequences of audio rhythms are natural to the brain. Rhythmic sequence is present at every moment of your brain's life, it's intertwined with your memory and motor skills. An example from Daniel Levitin's piece "The World in Six Songs" may help explain this,

"Most North American children learn the alphabet by learning the letters set to the melody of 'Twinkle Twinkle Little Star' (the same melody as the beginning of 'Ba Ba Black Sheep'). The song has phrase boundaries because of its rhythmic structure, gaps between the letters g and h, k and l, p and q, s and t, and v and w, forming natural 'chunks':


abcd efg hijk lmnop qrs tuv wxyz


...most children don't memorize this all at one sitting, but rather they work their way up, memorizing these small units."

- Levitin, D. "The World in Six Songs" (p. 171)


Everything we do from talking, writing, dancing, and working has a rhythmic beat behind it. We can use this to predict sequence changes as well, which we do all the time. When a unit in a sequence is off we notice it and try to understand it.

An example everyone might know of is Quentin Tarantino's Pulp Fiction, in this film the beginning, middle, and end sequences are radomly inserted into the structure and it makes the film somewhat hard to follow. Is the disjointed sequencing of the film just a cute gimmick or something more? Did our brains take notice and try harder to piece the sequence together? Yes it did, it made you pay more attention and it gives the film originality. His "efg" was before his "abc" and his "lmnop" was after his "wxyz" to refer it to the previous example.

Disjointed rythms in music give the artist originality points as well. The Minutemen, Primus, Nomeansno, Fugazi, and others employ hard to follow disjointed rhythms in many of their songs which throw the brain off and make you focus a little harder.

As mentioned above, The Room has horribly disjointed sequencing and delivery to a point where you can't wait to hear Wiseau zombie-mumble out his next line because you have no idea what this fucking guy is going to say. Another example of this is the great film Samurai Cop where the delivery of every actor involved in the film is broken and disjointed to the point of insanity as evidenced in this following clip...

There is nothing normal or predictable about any of the lines delivered in that above clip. Even the laughs are so out of place and disjointed that they compliment the reaction shots perfectly and it ultimately leads up to the Samurai Cop's speech which is the coup de grace that puts all movies to shame. I love this effin' movie so bad.


3. Party Atmosphere Quotient

Cute Audience

At a football game you can be loud, drunk, and obnoxious and that's good. At a movie theatre you are removed if you speak which is good for some but kinda sucky for others. When people assemble to watch bad movies (old drive in movies, John Waters movies, Rocky Horror Picture Show..and surprisingly the modern day "The Room" has reached this level) the assembly of people is engaged and participates in the overall enjoyability level of the film. At screenings of "The Rocky Horror Picture Show" they dress as characters and sing along and drink and have fun, at "The Room" they drink and throw spoons and yell out the lines before the characters say them and it adds a level of audience participation to the screening. Honestly, do we go to football or movies to sit quietly and watch? Why not just watch in the comfort of your own home then? We go to these things to be around other humans and socialize and be together, it's counter intuitive to remain silent in my opinion.

I remember being at a screening of Shaolin Soccer (which has a very high EL) and because it was foreign, gimmicky, and people just had to read the subtitles and not hear the actors, everyone in the theatre was loud, fun, crazy, and having a good time. This was the first time I saw film goers act in this manner and I thought there was something downright correct about it. We don't mind if people talk during "bad" movies, in fact it is encouraged.

Joel Hodgson made a career out of talking during bad films when he created the cult-classic Mystery Science Theatre 3000...

To sum up...I guess it's possible that it's more fun to sit down and laugh with others at disjointed silliness than it is to sit down in a crowded theatre and look silently at pretentious moving pictures for 2 hours.